Tastes Just Like It Sounds
In
October of 1994 I treated myself to a class on Writing Children’s Fiction by
Mary Blount Christian at Rice University.
It was a Continuing Education Class, so I didn’t need to qualify for the
University, thank goodness.
Although
computers were becoming more popular, they were not ubiquitous, so there was a
lot of talk about spelling and grammar, things which most writing programs help
with nowadays. For instance, MS Word just corrected two typos as I wrote this
paragraph. In the days of typewriters I would have gone through hoops to
correct the errors. If you didn’t live those years, then just count yourself
lucky.
We own this one, but we have few ribbons |
I
only have one page of notes from the class, though at the time I had a small
notebook with advice and admonitions. I guess I consolidated when I moved the
notes to the computer. Aside from a list of grammatical mistakes to watch for,
I have a single phrase that I should have expounded upon: viewpoint problem.
That’s
probably worth its own post, since viewpoint is often a problem regardless of
the type of writing.
She told how a "blind
man opened my eyes, literally." During a conversation with a blind man she
said she had a dog. He asked what kind, and she responded collie. What, he
asked, is a collie?
From a writer’s
perspective, saying a dog is a collie short-changes the reader, unless you add
other description. Imagine that your reader is a blind person. Of course, color
has no meaning to the blind, either, but it works to create the better
description. “The long, soft fur of the brown and white dog tickled me as she
pressed her long snout and cold, wet nose against my cheek, licking me with her
wet tongue.” That kind of thing.
Describe a collie to a blind person |
Feeling is what we can
always use to "hook" the reader. Two sensory feedbacks per page and
she started getting rave reviews for her books. Often writers get locked into a
single sensory feedback while writing, most commonly sight.
The final thing she covered
in the class was the topic she deemed most important, and I find it is true of
selling apps on the app store as it is selling stories. Create titles that say
“Read Me!”
A title should make you
smile, chuckle or at least interested enough to want to know more. The title
sets the mood, even before you open the book. It teases and hints, though it
doesn’t tell the story.
by Mary Blount Christian |
For instance, “Fenton Catches a Bank Robber” is boring, but “The Mysterious Case Case” grabs
attention.
The same is true for Blog
posts, isn’t it? The original title of this one was Writing Children’s Fiction,
not very original and certainly not catchy.
Tastes Just Like it Sounds is interesting, and it made me want cookies. What about "Furry Fenton and the Financial Finagle?" Or "A Case of Clutches?" I would not read a story called "The Mysterious Case Case." Too mysterious. What's a mystery? "Ratty-Tatty Bag of a Burglary."
ReplyDeleteI'm having too much fun with this.